by Raphael
circa 1504
on loan from the Pinacoteca di Brera, Milan
on loan from the Pinacoteca di Brera, Milan
This painting is part of an altarpiece created for the Franciscan Church of San Francesco Citta di Castello, Italy. I thought it an interesting choice to paint people milling around in the background while this famous union takes place in the foreground. While the characters on either side seem to be calm they also seem somewhat resigned that they are not the ones getting married.
The pointy hats in the background beg for more research? I colored them so we could see how they point towards the heavens. I don't know if that was a new style or is steeped in meaning. Joseph is the only one who is barefoot. Is there a hidden meaning to that as well? If I were in art school I could type ten double spaced pages on this one! Back and front!! But there is much to do and my visit and so study on this new acquisition will be short. Perhaps in May, during the exhibit I can revisit and sketch some more.
My personal take on this particular marriage symbolic. Marriage is a venue in which we can experience the melding of the divine and earthly. Like the animal kingdom, we mate, yes, but the ultimate promise is to love one another in the hopes of opening that love to others, and all of life.
I am quite grateful that my Zoeland friends will have an opportunity to visit these masterpieces. It will be a wonderful conversation starter
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